Logogalerie Zurcher

Matt Bollinger

The Reservoir

It was at an early age that Matt Bollinger (born in New York in 1980) began drawing in a sketchbook given to him by his grandmother. His applied himself to copying scenes from comic books, which provided him with his first literary experience. And books are still sources of characters and inspiration for his collages. His initial approach was, it might be said, "indirect": he painted on paper which he then cut up to make compositions. More recently, he has been combining this technique with direct overpainting. His integrations and juxtapositions of surfaces make the result more complex, recalling the stratified structure of memory which simultaneously retains and displays images, like a book being read. Looked at this way, paintings bring events together in a fragmentary form of representation that embraces fiction, art history, or, indeed, folk music. Bollinger considers books as, in a sense, doors that open onto the parallel worlds of his characters, who are linked to personal memories. The subjects of these "portraits" hold books in their hands – and here one might think of the "attributes" of saints in medieval forms of representation such as illuminated manuscripts, the capitals of columns, frescos and Romanesque stained glass – signifying that the images are those of thought rather than writing. Though figurative, they also comprise a large amount of abstraction. The scenes could not be less narrative: there are no gestures that express actions, nor is there any trace of real existence. These are manifestations of mental experience by someone who sees himself as a "chronic daydreamer and voracious reader". And the monumental The Reservoir constitutes a "backdrop" to the entire exhibition, with its depiction of a chaotic bookshop in which piled-up volumes suggest the possibility of multiple experiences, for each of which Matt Bollinger could well have invented a character.


A catalogue is published, Matt Bollinger interviewed by Zachary Keeting


Solo exhibitions (selection) / Bed on the Floor, Zürcher Studio, NY (2013) ; Between the Days, galerie Zürcher, Paris (2012) ; About Midnight Saturday, Zürcher Studio, New York, NY (2011), Welcome Home Matt Bollinger, Hudson D.Walker Gallery, Provincetown, MA (2011) ; Miss You, artSTRAND, Provincetown, MA (2010)

Group exhibitions (selection) / Come like Shadows, a show curated by David Cohen, Zürcher Studio, NY (2014) ; The First Ending : Resembling Noir, a show curated by Matt Bollinger, Zürcher Studio, NY (2013) ; Mark, Wipe, Scrape, Shape, Spaceshifter, Brooklyn, NY Red Herring, Fjord Gallery, Philadelphia (2012) ; The Dorian Project by Ilan Cohen & Quang Bao, SecondGuest, New York (2012) ; Art Los Angeles Contemporary, Zürcher Studio Booth, Los Angeles, CA (2012) ; Matt Bollinger, Marc Desgrandchamps, David Lefebvre, Taylor Mckimens, Galerie Zürcher, Paris, France Drawing Now, Art Fair, Galerie Zürcher, Paris, France (2011) ; Salon Zürcher, Zürcher, Studio, NY (2011) ; Room for Error, Provincetown Art Association and Museum, Provincetown, MA (2011) ; In a Violet Distance, Zürcher, New York, NY (2010) ; Nice to Meet You, Sloan Fine Art, New York, NY (2010) ; Mutual Migration, Michael Rosenthal, San Francisco, CA (2010) ; Fellows Exhibition, Provincetown Art Association and Museum, Provincetown, MA (2010) ; Invitational, Hudson D. Walker Gallery, Provincetown, MA (2009)

VIDEO by Théo Zürcher: Matt Bollinger, The Reservoir - Galerie Zürcher





Portfolio

Exhibition view Exhibition view Exhibition view Exhibition view Exhibition view Exhibition view Exhibition view Exhibition view Matt Bollinger, Back from the Swimming Hole, 2013, Flashe, acrylic and collage on canvas, 153,5 x 183,5 (60,5 x 72,25 in) Matt Bollinger, Back from the Swimming Hole (detail) Matt Bollinger, Bushwick Sunset, 2014, Flashe, acrylic and collage on canvas, 121,5 x 152,5 cm (47,75 x 60 in) Matt Bollinger, Faint Hearts, 2013, Flashe, acrylic and collage on panel, 122 x 81,5 cm (48 x 32 in) Matt Bollinger, Fiction, 2013, Flashe, acrylic and collage on panel, 23 x 29 cm (9 x 11,5 in) Matt Bollinger, Histories, 2013, Flashe, acrylic and collage on linen, 63,5 x 51 cm (25 x 20 in) Matt Bollinger, Mike at the Reservoir Sketching, 2013, Flashe, acrylic and collage on canvas, 153,5 x 122 cm (60,5 x 48 in) Matt Bollinger, Odyssey at the Reservoir, 2014, Flashe, acrylic and collage on canvas, 85,5 x 61 cm (33,75 x 24 in) Matt Bollinger, Reading Dick, 2013, Flashe, acrylic and collage on canvas, 153,5 x 122 cm (60,5 x 48 in) Matt Bollinger, Reading Dick (detail) Matt Bollinger, Reading Kierkegaard at the Couples' Retreat, 2014, Flashe, acrylic and collage on linen, 40,5 x 51 cm (16 x 20 in) Matt Bollinger, Steel Rails, 2013, Flashe, acrylic and collage on linen, 90 x 72 cm (35,5 x 28,25 in) Matt Bollinger, The Reservoir, 2014, Flashe, acrylic and collage on unstretched canvas, 255,5 x 358 cm (100,5 x 141 in) Matt Bollinger, The Reservoir (detail) Matt Bollinger, West Texas Thunder Storm, 2013, Flashe, acrylic and collage on linen, 90 x 72 cm (35,5 x 28,25 in) Matt Bollinger, White Out, 2014, Flashe, acrylic and collage on canvas, 149 x 123 cm (58,75 x 48,5 in) Matt Bollinger, Words for the Wind 1, 2013, Flashe, acrylic and collage on panel, 23 x 30,5 cm (9 x 12 in) Matt Bollinger, Words for the Wind 2, 2013, Flashe, acrylic and collage on panel, 23 x 30,5 cm (9 x 12 in) Matt Bollinger, From the Bookstore, 2014, acrylic, Flashe and collage on muslin, 81 x 60 cm (32 x 24 in) Matt Bollinger, Reading During Band Practice, 2014, acrylic, Flashe and collage on muslin, 81 x 60 cm (32 x 24 in) Matt Bollinger, After the Rain, 2013, Sumi ink, gesso and collage on panel, 60 x 81 (24 x 32 in) Matt Bollinger, Crescent Moon, 2013, Sumi ink, gesso and collage on panel, 60 x 81 cm (24 x 32 in) Matt Bollinger, The Next Morning, 2013, Sumi ink, gesso and collage on panel, 81 x 60 cm (32 x 24 in)